Why are these films so bad, and why do they keep getting made? When Tom Hanks did the first “Da Vinci Code” (2006) film it was a hit because of the fandom with the books, but was poorly received. Hanks hasn’t been nominated for an Oscar since becoming involved with the Dan Brown adaptation franchise. […]
Credit must be paid to Oscar winner Rachel Weisz (The Lobster, The Light Between Oceans, Complete Unknown) who debuts her fourth feature in 2016. More impressively it’s the second in which she is the solo lead. The rarity in which an actress has not one, but two leading roles in the same year is a
Prior to “The Accountant”, Gavin O’Conner had only made one film of note; 2011’s “Warrior” which landed Nick Nolte a supporting actor nomination. “The Accountant” has been swirled in secrecy, skipping film festivals, withdrawing from pre screenings. Unlike “The Girl on the Train” which dodged its way into a wide release, Affleck’s latest dark thriller
Son to Academy Award winning filmmaker Alfonso Cuarón, 34-year-old Jonás has long since followed in his father’s footsteps. The structure of Jonás script for Gravity parallel’s what he does with Desierto, his sophomore effort in the director’s chair. It’s a pocket thriller with one of Mexico/America’s biggest bilingual stars that takes a horrific look at
Tate Taylor’s third feature since becoming a mainstream Hollywood director with The Help, feels like the neglected cousin to Gone Girl. Adapted from the bestselling book of the same name, The Girl on the Train boasts a well assembled cast of Hollywood’s former breakouts, most of them in new character acting territory. Taylor’s film,
South Korea’s official selection to the 89th Academy Awards, The Age of Shadows marks the second entry for actor Kang-ho Song, who starred in last year’s submission The Throne. The Age of Shadows is the least controversial of the two South Korean films that made moderate splashes in the US cinema market. Epic in scope,
Writer/director Greg Kwedar takes a very specific look at border control along the Arizona border. The focal point of Transpecos centers around three US Border Patrol agents who find themselves in manipulated circumstances. Exploring subject matter that has dominated the presidential race, Transpecos covers so many points of view within these three characters. Kwedar’s script
Poor Louis (Skodje). He is accident-prone even from birth, and escapes one close call after another—which he can chronicle in complete detail—then it looks like death finally holds him in its grasp after he falls off a cliff into the ocean. Louis’ mother Natalie (Gadon) is an attractive blonde who is attentive and caring, and
Denis Villeneuve’s creative direction with “Sicario” last year was nothing short of masterful. His work, so good, that it nearly overshadowed the stellar script by actor turned screenwriter Taylor Sheridan. The sophomore script from Sheridan is the real main character in Hell or High Water and the most original writing I’ve seen this year. Similar
No this has nothing to do with apes or primates as the standard definition of anthropoid might suggest. As WWII films go, Anthropoid is a dark one, it’s tough to watch for a number of reasons. Academy Award nominated short film director Sean Ellis brings the assassination attempt of Hitler’s third rank to life. Ellis,