Pablo Larraín’s latest film “Spencer” is a wild departure from the expected historical biopics or the kind of presentation seen on “The Crown”. Familiarizing yourself with Larraín’s particular style is recommended, meaning you should see his masterpiece “Jackie” before watching “Spencer”. It’s the audacity in Larraín’s script that makes “Spencer” surprisingly fun to watch. In […]
Apparently, few read or studied Sir Gawain and The Green Knight in school, not that familiarity with the material will make or break your experience with David Lowery’s version. You’ve likely seen a film or two by director David Lowery: A Ghost Story, Pete’s Dragon, The Old Man and the Gun, and Ain’t Them Bodies
Filmmaker David Michôd (“Animal Kingdom,” “The Rover”) and fellow Australian Justin Kurzel (“Macbeth,” “True History of the Kelly Gang“) have more in common than hailing from the same country. Both are visionary filmmakers, not directors who can see the future of cinema necessarily, but artists who create an entire film around an initial or singular
When I first heard the title for the sixth film in the Tom Cruise action franchise, I thought how ingenious that would be for a documentary about Cruise and Nicole Kidman’s marriage, his obsession with cult Scientology or even the bizarre antics surrounding Katie Holmes. Alas, it’s another sequel comprised of over two hours where
Macbeth has been done, redone, remade and revived so many times, yet Australian director Justin Kurzel (clearly inspired by the popularity of Game of Thrones), transforms William Shakespeare’s work into a modern, Braveheart looking, epic bloodbath.
Unless you have been living under a rock, you have heard that 53-year-old Tom Cruise did almost all of his own stunts for the fifth installment of “Mission Impossible.”