Nowadays, we seldom get an intelligent comedy—not only in the sense of being well constructed—but one sprinkled throughout with philosophical and literary references that are to the point yet still funny, at least in the way the main character quotes them, and to whom (like a bank teller who hasn’t the foggiest notion of what […]
Despite internationally acclaimed director Yorgos Lanthimos not penning the script this time, “The Favourite” is still very much one of his films. The severe divisiveness among critics caused by “The Lobster” and “The Killing of a Sacred Deer” is lessened in “The Favourite,” which started garnering Oscar buzz the moment it debuted at the Venice Film Festival. It’s
I had hoped that Jason Reitman would steer his new political satire in the direction of “Wag the Dog” or “Primary Colors.” Surprisingly it’s closer to last years “The Post” (with quite a few scenes at Washington Post), and that’s a problem. “The Front Runner” (already taking flack for being “anything but”) is an exhaustively talkative movie that
Brian Henson is the son of The Muppets creator Jim Henson and directed previous Muppet films Muppet Treasure Island and The Muppet Christmas Carol. The Happytime Murders is a lot like Who Framed Roger Rabbit but with a hard R-rating. It almost feels like Henson’s 12-year-old self is rebelling against his father and their legacy.
The audience was virtually silent when this comedy debuted at the Toronto International Film Festival last September, and initially no distributor was interested in releasing it. Eventually it was picked up by IFC films. It is often difficult to market such obtuse films as this historical slapstick comedy. “I’ve had nightmares that made more sense