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Making her directorial debut, Deniz Gamze Ergüven delivers a powerful film that explores the older customs of Northern Turkey and the adverse effects it has on children coming up in the modern age.
Making her directorial debut, Deniz Gamze Ergüven delivers a powerful film that explores the older customs of Northern Turkey and the adverse effects it has on children coming up in the modern age.
The Coen Brothers latest film, “Hail, Caesar” is a really good B-movie. It’s always been hit and miss with the Oscar winning duo (No Country For Old Men), known for their work in writing as much as directing. You look at their filmography and it’s literally as if someone turns the light switch on and
The Houston Film Critics Society (HFCS) have announced their 2015 nominees.
Tom Hardy (The Dark Knight Rises, Locke) is one of the most stunning, eager, and impressive actors in film today.
Most projects that are gender flipped from male to female roles tend to work out pretty well. “Gravity” and “Flightplan” are just a few, but “Our Brand is Crisis” (produced by George Clooney and Sandra Bullock) is the first that strikes me as too focused on the gender swapping issue.
Bradley Cooper starred in one of the biggest films last year, could have taken any project he wanted, but the four time Oscar nominated actor/producer lands in a cooking film. For something so specific, there sure are a lot of motion pictures circulating around chefs and food.
With the 22nd Annual Austin Film Festival kicking off Friday, the lackluster year of unique, original and meaningful film is about to get a big Texas boost. Typically AFF debuts a few awards contenders, but this year their slate is bigger and better than ever.
There are so many films and TV movies about Steve Jobs, that it’s becoming difficult to keep track of them all. The latest, Steve Jobs, written by Oscar winner Aaron Sorkin (Moneyball, The Social Network) might be the most unique and intelligent look into the life of the modern day genius. While the film
Oscar winning director Robert Zemeckis (Contact, Forrest Gump, Cast Away) has done it again, blown my mind. Ever the homme de génie, Zemeckis understands that pressing all the buttons at once can sometimes can make a story come alive. The casting is equally as mind-blowing. What does it take for a true story about
Until now director Nancy Meyers (It’s Complicated, Somethings Gotta Give) has been a one note filmmaker. You can always bet on her scripts unfolding liker a Pottery Barn catalog, often the sets get more attention to detail than the characters. She certainly brings that distinct style to The Intern, but something feels different this time