A new year means a new, (bad) Blake Lively film. The former “Gossip Girl” has been churning out at least one rotten flick a year since marrying Ryan Reynolds in 2012. Lively is a leading actress poster child for discardable first-quarter studio movies. The Rhythm Section finds Lively (“A Simple Favor”, “All I See is […]
Ah yes, a simple favor indeed. This comedic drama is fun to watch with all the baits and switches leading down one path and then another and with plenty of comedy that stays just short of slapstick. The entertaining novel by Darcy Bell, on which Jessica Sharzer has based her screenplay, has been translated to the screen
Blake Lively might be the new Cameron Diaz, both actors either have the worst taste in scripts, or simply little to no talent when movie must stand on their shoulders. In what sounds like a cheesy grocery checkout novel, All I See Is You is tailor made for the Lifetime channel. There is more drama
Woody Allen might make a new film every single year, typically you have two bad ones before you get to the reoccurring third-good one. After two forgettable features with Emma Stone, Café Society shows a step forward and outside the 80-year-old directors comfort zone. Perhaps Bruce Willis helped fuel that by getting himself fired from
Blake Lively’s character repeatedly asks locals what the name of the beach she is surfing is; they won’t tell her, only that it’s a secret beach. It doesn’t take the audience very long to recognize the beach, however, as it’s clearly marked as Imaginary Island. What begins like a lively video advertisement for Roxy swimwear
Blake Lively wasn’t the first or second choice for this lead, however the Sisterhood of the Traveling Pants actress manages to make this her own, channeling a Renee Zellweger type performance. The film’s strongest element is the narration, which should sound very familiar if you liked The Assassination of Jesse James by the Coward Robert