Francis Ford Coppola’s Megalopolis is an audacious vision, a film that unapologetically revels in its ambition, leaving little room for middle ground. It is either a triumph of cinematic exploration or an indulgent misstep, depending on how deeply you’re willing to engage with its dense layers. One thing is clear—this movie is not for the […]
The highly anticipated “House of Gucci” by Ridley Scott isn’t quite the film everyone hoped or anticipated. It’s interesting how ‘Gucci’ was supposed to be the sure fire Oscar player, some even suggesting Lady Gaga back as a nominee sight-unseen. Now it looks like the film will be lucky to even score a makeup or
I can’t think of any movie I would want to see three times back-to-back. But that is a little like viewing The Last Duel. It is supposed to be a story told from different points of view, but since the versions are not all that different from one another, the effect is repetitiousness. Why am I seeing the same
You might have heard that Amazon’s new film opened the Cannes Film Festival with a five-minute standing ovation. What you also should know is the Cannes audience is made up of international participants whose tastes rarely align with the mainstream. “Annette” might be the first and last high-profile experimental film Amazon Studios sends to Prime
Will this agony ever end,” C-3PO says at one point. Anyone who believes Disney’s marketing ploy that, “this is the final Star Wars film,” hasn’t been paying attention. Nothing and no one is ever final in this franchise, which is the biggest turn off for non-fans. As you watch the eleventh film in the franchise,
It’s getting personal this awards season. Noah Baumbach is the latest filmmaker to project his own personal life story onto the big screen. Specifically his divorce from actress Jennifer Jason Leigh. Baumbach might have just created one of the most imperative films about divorce ever committed to cinema. Marriage Story is about everything from falling
If you have ever wondered what would happen if someone combined the investigative journalism seen in best picture winner “Spotlight,” with the controversial story behind “Zero Dark Thirty,” “The Report” will satisfy that curiosity. Written and directed by Scott Z. Burns (“Contagion,” “The Bourne Ultimatum”), with a producing credit from frequent collaborator Steven Soderbergh, this
What filmmaker Jim Jarmusch had in mind for his dry sarcastic zombie flick is not what audiences think they are getting. Let’s be clear, Focus Features edited together a great trailer, featuring some of the films best beats. Murray is here doing what he does best, along with more deadpan humor from Driver, both of
The opening sequence with Alec Baldwin is meant to set the tone for the rest of the film. However, don’t be confused by the trailers for “BlacKkKlansman” that try selling this as a Tarantino-style comedy. This film is serious. Spike Lee hasn’t been able tor recapture the success he had in the early 90’s. In
The 9th “Star Wars” film boasts not only one of the largest casts in the franchise history but also the longest running time (152 minutes). Fanboy director Rian Johnson (“Looper”) takes the reigns from JJ Abrams, delivering an entry that is categorically for the die-hard fan. The story picks up right where 2015’s “The Force